Fair, Brown, and Trembling

Fair, Brown, and Trembling is a story from Ireland. It begins as a seemingly normal "Cinderella" tale, but has some strange deviations throughout in the text. One interesting aspect is that it concentrates on color throughout the story. Trembling (the Cinderella character) goes to mass (ball) three times, and each time, her attire is described in a full paragraph. Colors are included in every description, even insignificant parts. Not only are colors described in detail, but other small aspects o the story are intricately explained (for example, a specific mark of the belly of a whale...). Also, after the wedding of the prince and Trembling, the story is only half complete. There is an entire second story-line where the prince fights for the hand of Trembling and saves her from an enchanted whale. Yeah, I know. Weird. She is swallowed by the whale after her sister pushes her into the ocean (her sister is in love with her husband) and a little cowboy must alert the prince to rescue her. Finally, the story doesn't include a parental unit of any sort, which deviated from normal Cinderella stories, where the evil stepmother is a key player in the plot. This eliminates any oedipal ties that some Cinderella tales have and make it more about clear-cut good versus evil. 

Conkiajgharuna, the Little Rag Girl (A Georgian Tale)

This tale is quite a departure from Perrault and Grimm's versions of Cinderella, although it has the element of the cow as a guardian seen in many of the Asian versions of Cinderella we read in class for this week. First, it is interesting to note that the tales including the cow as the mother-like provider of food and comfort were from Asia and the Middle East because many of those cultures saw the cow as a symbol of wealth and, in the case of the Indian version, as a sacred animal. Second, the story is not a riches-to-rags-to-riches tale as the Cinderella figure is the daughter of a poor peasant, not a gentleman. Cinderella is also not emphasized as the "most beautiful creature ever seen" like in many of the other Cinderella versions- she is not the slender female of the courtly French Cinderella. Rather, she is described as plump because of her nourishment from the cow, and her virtues rest in her ability to cope with her stepmother's abuse, her cleverness to get the king to notice her (by pricking him with a needle through the basket in which she is trapped), and her kindness to the devil woman (who is by every means a horrifying creature.) This Cinderella's hardiness, not dantiness, is what earns her her freedom from her mother and her rise in rank as a queen.

The effect of all these element acting in concert is that this tale is about a girl learning how to earn her own way in life by appreciating the things in life that will earn her wealth in her culture. When the girl takes care of the cow it is hard work, but she learns that her efforts pay off in nourishment and protection. Therefore, the cow becomes a symbol of wealth that has to be protected. The girl's encounter with the old devil woman is where the girl learns to appreciate the older generation's wisdom. Despite some of its knowledge of horrific events in the course of a lifetime, the wisdom of old women and their knowledge of how to become a successful woman in their culture is worth more than its weight in gold to a girl who has to learn how to become a woman on her own. It is with the old woman's wisdom of the springs that the girl acquires her ability to distinguish herself and to earn her greater wealth through marriage. The girl's cleverness is what enables her to take advantage of her newly aquired appreciation of wealth (from the cow) and wisdom (from the hag) by escaping the wiles of her stepmother through pricking the seat of her eventual husband.

Cinderella Italy

I found this version to be particularly interesting as it takes the basic concept and framework of the Cinderella story and alters almost every relationship within the story. What intrigued me is how this version is able to alter Cinderella from being the victim into being the difficult one in the family. Cinderella is one of three daughters. She is the one who differentiates herself from the other two, rather than her oppression immediately being forced upon her by two stepsisters and a wicked step-mother. Cinderella in this case does not capture the same pity as one in the Grimms' version or even Parrault's version, but at the same time, she ends up going to the ball much like in the other two versions. Only in this one, she drops a snuffbox full of money. Here, some of the ambiguity of why he likes her is shown. The lost slipper when she runs away embarrased is still present, but the chase is tainted by his potential stilted motives. The story of love taking him to her is somewhat lost as their relationship is already tainted by the temptations of money and the superficialness of physical appearence. She is still given the oppertunity of trying on the slipper and elects to pardon the wrongs of her siblings and father. Yet, I can't help but look at how the family dynamics set up a different scenerio for the magic of the ball night to take place. That, and the notion that her relationship to the king remained in the superficials of looks and money.

Assignment: 24 February 2009

Look through the sites below and choose either an illustration(s) or a version of the Cinderella story which we have not read for class and respond to it.

• D. L. Ashliman’s folktale site
• Sur La Lune
• The Cinderella Project at the University of Mississippi